Crosshatching over Manhattan, New York - a few short clips showing parts of the process. The original sold shortly after my in-progress post a few days ago, although it's likely I'll make a limited number of prints available later in the year when I reopen my studio store. For now, you'll be able to see the finished map in full later this week as part of @supersonicart 's group exhibition, "SUPERSONIC FACES & FIGURES" opening at supersonicart.shop on Friday, May 5th at 1PM PST.

Progress shot of Manhattan, a new miniature crosshatched in ink over an original atlas map of Manhattan, New York. . I'm at that final stage in which the last 20% of a drawing seems to take 80% of the total time (anyone else experience that phenomenon...?) . This work is for @supersonicart 's group exhibition, "SUPERSONIC FACES & FIGURES" opening at supersonicart.shop on Friday, May 5th at 1PM PST! . To request a collector's preview or purchase work please email shop@supersonicart.com . Sold

Just want to share a quick update on my work, and what's happening in the studio. In short, a lot is happening - I've been very busy with commissions lately - exciting opportunities which I just don't want to turn down. I'm also chipping away at my own self-initiated works for a handful of galleries and of course, my studio store reopening - huge thanks to everyone asking about new prints and originals, I promise they're coming! It's a lot to juggle, but my partner Viola and I like being busy, and we're so incredibly grateful. . As outlined on my website, I still have no availability for private commissions at this time - the only new bookings I'm taking are non-private commissions, eg. editorial works, works for brands, etc. . I realise I've not posted anything new for a while now... but please know that as always, I'm getting things done behind the scenes, planning new works, finishing new works, ticking boxes. I can't wait to share the fruits of my labour with you all. In the meantime, thank you for being here 💙 . Images: A mixed bag. Bordeaux... Buffalo... and a few shots from around the studio.

Throwback to some crosshatching over original maps of the Thames. These are sections of a (very) long Stanford's map of the river from Lechlade to Richmond, published around 1950-1960. I worked on these last year and plan to continue the series. . Some of this footage was recorded on my old phone, hence the change in quality - the cleaner, sharper footage is from my newer phone. I prefer a phone over a DSLR or any other camera setup as it's less obstructive over my workspace, and frankly more convenient. Anything else is overkill. . Sometimes I'm asked if I speed my footage up at all - the answer is no, all of my recordings are played back in real time.

#ad In celebration of the new @disneyplusuk and @20thcenturyuk release Boston Strangler, a new thriller starring Keira Knightley and Carrie Coon, Disney+ commissioned me to create a bespoke portrait of Loretta McLaughlin, one of the main characters of the movie. . Boston is one of my favourite locations to work with, and this pairing unfolded so naturally. As a historical city, Boston is dynamic in shape and full of character, with a jagged coastline and radial road layout. My portrait of Keira is weighted towards the northeast corner of the map, utilising the space of the surrounding area. Scroll for close ups. . This was a lot of fun to work on - thank you @disneyplusuk and @20thcenturyuk for the opportunity! . #bostonstrangler is available to watch now, streaming exclusively on Disney+

Repost of Barbi over maps of Marquette, Michigan; Sheets XXVI and XXIX. Thought I'd share something warm today. . Thank you all so much for your kind comments and messages on my last post, John Wick over Paris - I was blown away by all of the wonderful feedback. Can't wait to share some new work again soon 💙 . Reference: @barbisubotic_ via @cane.yo

Here's my official poster for @johnwickmovie commissioned by @lionsgate and approved by Keanu himself! It's one of 12 posters created by 12 different artists from 9 countries. . This was an absolute joy to work on... huge thank you to the folk at Lionsgate for the opportunity!

Process footage of Pisa, crosshatched using a 0.03 pigment liner over an original atlas map of Pisa, Italy. . 0.03 is, as far as I know, the very smallest size of pigment liner. Any thinner and you might as well whisper to the paper or simply will each line into existence.

You may have spotted this in my stories yesterday... @lionsgate have announced the @johnwickmovie artist series, and I'm thrilled to be part of the lineup! 12 artists, 9 countries, 1 John Wick. Stay tuned 🔥

Sharing a few favourite 'miniatures' today while I keep busy in the studio. I say 'miniatures' because although these are some of my smallest works, some are still huge compared to the work of true miniaturists. . These portraits are all drawn in ink, on various maps. The very smallest maps are themed postage stamps (yes, I collect stamps too...) . If you're interested in art on a truly miniature scale, check out a few of my favourites - in no particular order - @dinabrodsky @artandsuchevan @yychuls @tobaccoandregrets @blakegore @dejvid.knezevic @lorraineloots @known.asmyself

Bradford (2022) - ink drawing over an original 1917 boundary map of Bradford, UK. . This was very much a compositional challenge, working inside geographical boundaries and balancing some extreme, almost gestural shapes within the landscape - swapping light for dark and dark for light. . Original sold

Very happy to see this feature in today's copy of The Observer (UK paper) - there's a similar feature over on the @guardian too

Pisa, Italy (2023) - a small portrait in ink, crosshatched over an original antique map of the city. Scroll for details. . I've been working on this on and off over the last week, mostly to warm back into some of the larger maps I've been progressing. . It's been a bit of slow start to the year, in a welcome sort of way - my partner and I were so busy towards the end of last year that we felt we could really use an extended break over the holidays. Back in the studio now though, and while it feels late to say this, I hope you're all having a wonderful 2023. . I see lots of new followers here - welcome! If you'd like to find out more about what I do, have a look through the 'Takeover' highlight in my stories or the @mymodernmet interview pinned at the top of my posts.

A few favourites from 2022. I'm sure it's a bit early to say this, but I can't believe how fast the year has gone - you've all kept me and my partner Viola very busy, and we're so incredibly thankful! . I'm currently working on some new offerings - new locations, new originals, new prints. A lot of our prints have sold out, and some runs are very low. It's bittersweet - wonderful, but also a little daunting as I know I need to release more. . I'm always open to suggestions - where do you think I should go next?

Edit: sold out . You may have seen little bits of this Plymouth map in my reels recently - here's the full, finished version. It's been an absolute joy to work on! I'm releasing a limited number of prints of Plymouth this Friday, December 2nd at 5pm UK time (that's 12 noon EST). There are 50 prints in total, all signed and numbered. Prints are sold sequentially, so if you'd like an early edition number be sure to set an alarm! You can view the size, price and other details now via the shop link in my bio, but you won't be able to hit 'buy' until Friday. . On the subject of prints - just want to say a very warm thank you to all of you who have kept my partner and I busy in the packing room over the last few days and months. A number of our print runs have sold out which is just a dream for us. So really, thank you. . Original is crosshatched in ink using a @fabercastellglobal fountain pen (a current favourite) over an antique pocket map of Plymouth, UK. I'm really into coastlines and geographical boundaries at the moment, and this map has both. I think those constraints make an excellent starting point. . Original sold

Crosshatching compilation, with commentary - an excerpt from my conversation with Steven Feldman of the Geomob podcast, episode 90. In this clip I briefly touch on the nature of my work with maps, the duality of imagery and why I chose to work with maps in the first place. . It's been a busy couple of weeks in the studio and I'm looking forward to sharing some new work with you soon!

So good to see my work in December's edition of @aandimagazine - huge thanks to Niki for the feature! Available now.

Crosshatching over a pocket map of Plymouth - just a few areas left to go. The end stages of a drawing often morph into an exercise testing a sense of balance and self-restraint - sometimes I feel I could go on forever, a slippery slope when something should be stepped away from and labelled as finished. It can be like picking at a thread. A bit more here, a bit more there. Relatable?

Artwork for new Netflix documentary series "Vatican Girl" - a portrait of Emanuela Orlandi commissioned by creative agency dude.it. The series is currently trending and is using a cycle of different cover images, including my portrait. . "Emanuela Orlandi was a Vatican teenager who mysteriously disappeared while returning home from a flute lesson in Rome on 22 June 1983. Sightings of Orlandi in various places have been reported over the years, including inside Vatican City, but all have been unreliable. The disappearance of Orlandi sparked an intense media frenzy in Italy that has resulted in the case becoming called “Italy’s most famous unsolved mystery”, as well as marking one of the few known disappearances of a Vatican citizen." (from wikipedia) . This was a particularly moving project to be a part of, although I was glad to see that Emanuela's brother, Pietro Orlandi was included in the series. He has dedicated his life to searching for answers over the disappearance of his sister. . The portrait itself is crosshatched over a map of Rome, and uses a well-known image from Emanuela's 'missing' poster as the reference. The underlying map of Rome is composed of two separate maps, stitched and edited by my partner Viola. . Photo credit (3/3): my mum (whose name is not actually Velma)

Just a quick upload to test some new studio lighting. I feel like colour balance is always 'off' on reels but it seems to be an Instagram thing as my videos are fine on other platforms. Anyone else have problems with compression and/or colour balance?

Currently on rotation in my studio is this unusual map of Bradford, UK, with portrait details crosshatched in ink. This is a good example of how I form the basis of each of my works, searching for a composition through complimentary lines, gestures and shapes. . The original map is dated 1917, and has been in my collection for a while now. It looks like the map was created following the housing and town planning act of 1909. A little research shows that this act of parliament prevented the building of 'back to back' houses, and also meant that local authorities would adopt systems of town planning. . Town planning maps are some of my favourite kinds of map. They're often huge in size, with hand-finished touches and plenty of annotations from architects and planners, making them unique and full of history. Town planning maps also show boundary lines, which along with coastlines, are one of the more enjoyable constraints I work with.

Edit: sold out . Edgware, London (2017) - ink drawing over an original pocket map of Edgware, Hendon and Mill Hill. Portrait details were crosshatched in carbon ink using an antique writing nib. . There are just a few of these numbered prints left in my studio store, and as limited edition prints, once they're gone, they're gone - although I'm pleased to say that I'll be working on at least one new London map soon, along with some other UK and non-UK locations. To view details of Edgware, visit my studio store (link in bio) and scroll down until you see the listing. . As always, I'm forever grateful to everyone who has purchased prints, originals, and even just engaged with my posts here on social media - it's hugely appreciated. Thank you!

Planisphère Céleste (2013) - mapping the constellations of the Northern and Southern Hemispheres, with portrait details in pencil. . I'm releasing a new print run of this double star chart, this Saturday 24th September at 6pm UK time (that's 1pm EST). The run is limited to 300 prints, all signed and numbered - be sure to set an alarm if you'd like a low edition number! Prints can be purchased via the link in my bio. You can view the product listing now, but the option to buy won't go live until Saturday. . Print size is 50cm x 33.3cm, slightly smaller than both the original and the previous print run. Prints are produced using archival inks on a matte 230gsm Hahnemühle stock.

I want to very briefly share my thoughts on space, and the importance of nothingness. The significance of an empty interval. For without the existence of nothing, we cannot experience anything. Like a brief pause between musical notes played, linework in art can only be defined by the space that surrounds it. In a binary medium, it is the emptiness that enables the fullness of the black ink. It is the tails to the heads, the negative to the positive. I think about this a lot with my topographic work - the crosshatching, yes, but especially my contoured work. The gaps between the lines are perhaps more important than the lines themselves. Is the same true for silence? For death? . Fountains Earth (2019) - ink over an original OS map of Fountains Earth, UK. 15" x 15"

A (very) short compilation showing a couple of works in progress, both crosshatched in ink over old boundary maps. I love using geographical boundaries to direct a composition - working up to boundaries, without going over them. It's very similar to working within a coastline. . I'm sure I've asked this before, but if you could choose my next location of interest - where would it be?

The start of something new.

A few details of a map in progress. In some of my videos you may have noticed that I press down on the paper with my left index finger, close to where I'm drawing - this is to stop the paper from 'bellowing' or bouncing up and down. I work with original maps in all kinds of states, and as charming as folded maps are, they rarely sit flush on the table when unfolded. I love folds, but... I also hate folds.

Crosshatching compilation... with commentary. The audio is from a recent feature recorded for Turkish TV network @trt2 - this part of the conversation was mostly about my technical process, how and where I start each portrait, and why. You can see the full feature (with the original video) via the link in my bio.

I think I'll work on more of these trench maps soon. . This one is "Stanway Avenue", finished and sold earlier this year.

Working on another one of those 'stuff all the important bits into one corner' compositions, using equipment sent to me by @uniball_uk - thanks uni-ball! . Drawing is crosshatched in Uni Pin pigment liners over an original unfolding map of the Thames. Reference via #caneyo